1. Robertsbridge Codex um 1330
-Estampie
2. Buxheimer Orgelbuch XV Jh.
-O Dulcis Maria
-Kyrie eleison Angelicum
-Christ ist erstanden
4. Guatemala ca. 1580 – 1640
Bearbeitung: Mauricio Pergelier
- Anonymus Virgen María
- Fco. De Leon Sahuma me fac
- Anonymus Ipastrana
5. Johann Kuhnau 1660 – 1722
6. Hans Buchner 1483 – 1538
Resurrexi et adhuc tecum sum:
-Kyrie tertium-Et in terra paschale
-Quisedes ad dexteram patris
-Tu solus Dominus
-Victimae paschali laudes
-Mors et vita duello
-Osanna in excelsis
7. „Libro Sesto“ de Maria Antonia
Palacios, Santiago de Chile ca.1790
Bearbeitung: Mauricio Pergelier
-Juego de versos
Tono de capilla in d-moll:
-Alegro
-Moderado
-Andante
-Alegreto
-Andante
8. Georg Böhm 1660 -1733
-Partita:”Ach wie nichtig, ach wie flüchtig“
9. Joseph Ximénez 1601 – 1667
10. Anonymus Spanien XVII Jh.
-Minueto español
-Minueto español
-Minueto español
11. Anonymus Spanien XVI Jh.
-Obra de sexto tono
12. Buxheimer Orgelbuch
-Vierhundert Jahr uff disser Erde
-Ein Buer gein Holtze (Jacobus Viletti)
-Wach uff myn Hört (O. v. Wolkenstein)
13. Vincent Lübeck 1656 – 1740
-Präludium und
-Fuge in F-Dur
1. Juan Capistrano Coley 1789 Divertimento I en si B Andante
2. J.C. Coley Sonata
3. …de Palazin Sonata para Lengüetería
4. …de Palomar Sonata
5. …de Llorente Tres versos de septimo tono
6. J.C. Coley Largo
7. J.C. Coley Sonata
8. …de Llorente Juego de versos
9. Anónimo Tono de capilla
Alegro-Moderado-Andante
Alegreto-Andante
10. …de Palazín Adagio
11. J.C. Coley Divertimento en si.B. Alegreto
12. J.C. Coley Sacris Solemnis
13. Anónimo Adagio
14. J.C. Coley Divertimento en si.B. muy Despacio
15. J.C. Coley Alegreto
16. J.C. Coley Divertimento en re.M. Alegro
17. Anónimo Dos versos de octabo tono
18. Anónimo Tono de capilla en sol m.
Alegro-Andante-Pastoral
Moderado-Alegreto
19. J.C. Coley Sonata-Alegro muchi con Spiritu
20. …de Llorente Tres versos de Sesto tono
21. J.C. Coley Divertimento en mi.B.
Andante-Alegro-Andante
1. Andrea Gabrieli 1533 – 1585
-Intonazioni Primi Tono
2. Doménico Zipoli 1666 – 1726
-Due versetti per il organo
3. AS. Gabrieli
-Intonazino Secondo Tono
4. Michelangelo Rosso ca. 1600
-Due versetti per il organo
5. Trientiner Orgelbuch um 1500
-Praeambulum
6. Trientiner Orgelbuch
-Sequitur Salve Regina
7. Trientiner Orgelbuch
-Ad te clamamus
8. Trientiner Orgelbuch
-O dulcis Maria
9. Trientiner Orgelbuch
-Magnificat
-Libro VI de Maria Atonia Palacios
Santiago de Chile um 1790
10. 2 Versos de II Tono (für Psalm)
11. 3 Versos de VI Tono (für Psalm)
12. Joseph Ximenez 1601 – 1667
-Sacris Solemnis
13. Francisco Peraza 1564 – 1598
-Tiento de medio registro alto de 1er tono
14. Anonymus XVI. Jh.
-4 Minuetos Españoles
15. Pablo Bruna 1622 – 1679
-Ave Maris Stella
16. del Libro Martín y Coll XVI Jh.
-Passacalles
17. Antonio de Cabezón 1510 – 1566
-Dic nobis Maria
18. del Libro Martín y Coll
-Pasacalles de primer tono
19. A. de Cabezón
-Malheur me bat
20. Francisco Correa de Arauxo 1575 ?-1654
-Tiento de septimo tono
21. Juan Cabanilles 1644 – 1712
22. del Libro Martín y Coll
-Canción a dos clarines
-Canción para ecos
-Otra canciónKlagenfurt
Due to initiative of Mauricio Pergelier it was possible to record some of the historical instruments at the Carinthian Museum of Klagenfurt, Austria.
This project was supported by the director for custom and music Mr. Günther Wurzer at the Museum and so happened that two actually in Europe living Chilean started this project of recording.
One of the musicians is the lute player Miguel Angel Aldunce, who interpreted at different historical instruments from the museum old German and Austrian maestros. The other musician is the in Klagenfurt living organist, Mauricio Pergelier, who interpreted at the historical little voyage piano, the clavichord and the organ positive form the 16th century music of old maestros from different European countries.
Castle of Wasserleonburg
Manuscript from Huehuentenango 1580-1640 (Guatemala)
„Libro de Cifra Nueva para tecla, harpa y vihuela
de Luys Venegas de Henestrosa 1557” (Espana)
1. Sahuma me fac Baroque organ
2. Para quien crié yo cabellos Clavichord
3. Misuseste Baroque organ
4. Paseábase el rey moro Clavichord
5. Vírgen Madre B.organ and sopran
6. Pues no me queréis hablar Clavichord
7. Pabanilla B.organ
8. Diferencias sobre Conde Claros Clavichord
9. Deo Gratias B.organ
10. Dos fabordones Clavichord
11. Benedicamus B.organ and sopran
12. Fantasía Clavichord
13. Deo Gratias B.organ
14. Tiento Malheur me bat Clavichord
15. Verso Clavichord
16. Misereremey B.organ
Baroque organ and Clavichord: Mauricio Pergelier
Sopran: Edith Pergelier
Castle of Wasserleonburg
This wonderful castle of the 16th century with Italian Flair, which is near the little village of Nötsch at the beginning of the Gail Valley in Carinthia, Austria, was the place where we make the recording of this CD.
Some years ago this Castle was the place where for first time at the presence of the Guatemalan Embassy were presented 3 Manuscripts which has been found in Guatamala, and are dated from 1580 to 1640. The musicologist work was realized by Mauricio Pergelier. This was also the reason he wanted to realize the recording at the historical Positive organ which is located in the little Chapel at the Castle. To realize this recording the soprano Edith Pergelier also participated.
We want to thanks once more to the owner of the Castle Mrs. Gisela Friederichs to make possible this recording.
Sound of Resurrection
This CD is the result of active teamwork showing our belief and interpretation in different kind of arts between Sr. Heidrun Bauer SDS, Texts, Mauricio Pergelier, clavichord and organ, as well as Edith Pergelier, Soprano.
Contact directly: Sr. Heidrun Bauer:
heidrun.sds@dom-zu-gurk.at
